Brilliant Ideas Episode #17: Simon Denny
Making Artworks with Hidden Company Philosophies

The innovator’s dilemma

In 2015, the Museum of Modern Art (hereinafter “MoMA”) PS1 held the exhibition of Simon Denny, The Innovator’s Dilemma. The title was originated from the theory of an economist that, when the company that has obtained and maintained the lead in the market stops launching new technologies, the company is overtaken by a new technology developed by the late starter. Here, the sad part is that the more often people see such theory being realized, the more they are living their lives in anxiety.
Denny looks at the economic theory, which continuously asks for innovative changes that overturn the system and fast and ruthless emergence of completely new machines that change the world, from a contemplative point of view. Perhaps, the reason that his works gather attention from the art scene may be because the destiny of these companies is similar to that of us, who have to survive today’s extremely competitive society described by such theory. In the seventeenth episode of Brilliant Ideas brought to you by Bloomberg and Hyundai Motor, experience the works of Simon Denny, the high technology explorer.
Brilliant Ideas Episode #17: Simon Denny - video
GO >Representing reality of a company through mordant and detached view

The Innovator’s Dilemma, which is the above-introduced exhibition of the artist, is one of the most appealing exhibitions held at MoMA PS1 last year: the work includes about 50 pieces of plane artworks, 15 pieces of sculpture, and installation works arranged here and there within the display space, somewhat like a museum. One of the most striking pieces is New Management(2014), which is a composed stage that looks like an alter but is in fact a kind of a filming site formed after a VIP room of a hotel in Frankfurt, Germany.
This room is where a CEO of a company, who had announced a drastic change of the firm, had once told to his employees to “Change everything but your spouse and kids.” Interested in the room that was the place where the start of the new growth and the birth of the philosophical value of a company were declared, Denny chose the hotel room as a meaningful place for his work. He reproduced the interior of the room including all the decorations, flowers, and paintings based on the picture of the place he obtained after hard efforts. Over the outdoor air conditioner fan operating slowly in a corner of the display space shows the slogans of the company, such as “Time for Smart Changes,” “When the group changes, the society changes.”

On the other part of the space, a mobile phone in packaging is placed so as to press the book on management philosophy written by the CEO. When you look up, a book called “Change starts from myself” published by the economy research institute of the company is seen in a neat frame. In addition to this, a signboard saying the “Frankfurt Declaration” in large letters is displayed, as if the scene of the work is a vivid photograph that recorded one historic scene of the life of the company, sharply showing the cold and cruel world of competition as well as the culture and philosophies of a company.
This strange place of a fairly simple structure clarifies what the artist wants to say: With considerable extent of objectivity, Denny presents the corporate culture that sets “Smart” as their slogan in order to continuously take the lead and does not allow one single error or mistake, by disclosing the life of the company without any kind of judgment to say that our lives are as seen in the work.
High technology explorer

Denny discovers fascinating points in unique culture of companies based on the Internet and technologies, situations following deterioration of state-of-the-art technologies, various corporate cultures, and the structure of the contemporary national identity. In particular, he concentrates his interest and attention on the stories of the U.S. Silicon Valley, which is filled with cutting edge IT companies. Major strengths of the fast-emerging, start-up companies, that sometimes suffer upon their start shadowed by other companies or sometimes rise from such crises, are dazzling ideas, new management mindsets, and the ability to form groups fast. Expressing these traits of the start-up companies in witty videos or installation works, the artist showed Secret Power(2015) at the New Zealand Pavilion at the Venice Biennale 2015.

Secret Power is a project that used a part of the data leaked by NSA whistleblower Edward Snowden in 2013, demonstrated in the Biblioteca Nazionale Marciana and the Venice Marco Polo Airport terminal. In the library, the server racks and a workstation are arranged inside vitrines in multiple layers along with a server room, added with complicated computer devices to make the viewers feel like looking at the NSA. Meanwhile, the display at the airport terminal was set as a company with a controlled and meaningful ambience as if under surveillance, filled with security system devices armed with high technologies.
Like a sophisticated puzzle, this project simultaneously reveals interactivity and individuality of every place where the artworks were installed, such as the library that represents the strong power of renaissance Venice, the airport that has come up as a new security place immediately after 9/11, and the Biennale that had once been an icon that stands for a country, but is now declining in the global art scene.

He induces the viewers to experience the high technologies in the works, and to concentrate on a series of relationships between geology, knowledge, and power displayed in the pieces applied with advanced technologies.
As seen above, the recent studies of the artist are focused on the revolution and deterioration of technologies, the neo-liberalistic culture, and the Internet. Enjoying interpretation with infinite potential through the process of an allegory in which all the elements above nest in a certain place and expand being mixed and reconstituted along with other elements, Simon Denny is a true high technology explorer. ■ with ARTINPOST
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Simon Denny in collaboration with Alessandro Bava <Contemporary Tower of Babel / PMBMBA> 2015
Site-specific installation, Moderna Museet, Stockholm, 2015 Commissioned by LUMA Foundation
Photo: Asa Lunden -
Simon Denny in collaboration with Alessandro Bava <Contemporary Tower of Babel / PMBMBA> 2015
Site-specific installation, Moderna Museet, Stockholm, 2015 Commissioned by LUMA Foundation
Photo: Asa Lunden -
Installation view of <The Personal Effects of Kim Dotcom> at Adam Art Gallery Wellington, 2014
Courtesy the artist and Adam Art Gallery Wellington
Photo: Shaun Waugh -
Installation view of <The Personal Effects of Kim Dotcom> at Adam Art Gallery Wellington, 2014
Courtesy the artist and Adam Art Gallery Wellington
Photo: Shaun Waugh -
Installation view of <Secret Power> 2015
Photo: Michele Crosera
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Installation view of <Secret Power> 2015
Photo: Michele Crosera
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Installation view of <Secret Power> 2015
Photo: Michele Crosera
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Installation view of <Secret Power> 2015
Photo: Michele Crosera
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Installation view of <The Innovator's Dilemma> at PS1, New York, 2015
Courtesy the artist and PS1, New York
Photo: Pablo Enriquez -
Installation view of <The Innovator's Dilemma> at PS1, New York, 2015
Courtesy the artist and PS1, New York
Photo: Pablo Enriquez -
Installation view of <The Innovator's Dilemma> at PS1, New York, 2015
Courtesy the artist and PS1, New York
Photo: Pablo Enriquez -
Installation view of <The Innovator's Dilemma> at PS1, New York, 2015
Courtesy the artist and PS1, New York
Photo: Pablo Enriquez -
Installation view of <New Mangement> at Portikus, Frankfurt (Main) 2014
Photo: Helena Schlichting
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Installation view of <New Mangement> at Portikus, Frankfurt (Main) 2014
Photo: Helena Schlichting
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Installation view of <New Mangement> at Portikus, Frankfurt (Main) 2014
Photo: Helena Schlichting
Profile

A sculptor and installation artist Simon Denny was born in 1982, in New Zealand. His works are inspired from advertisements and packaging produced by media companies and technology. To highlight connections between the utopian goals of the new media economy and historical modernism, the artist makes use of graphic interfaces borrowed from display in commercial exhibitions. Through his installation pieces that combines sculpture, graphics, and moving images, he expresses his perspective on the role of technology in shaping the culture of our time and the ways information is shared and controlled.
Simon Denny, who now lives and works in Berlin, has been actively working in the global art scene. He presented his works at the Aspen Art Museum in the US, Kunstverein Munich in Germany and numerous museums over the world. He was invited to the 2008 Sydney Biennale and the 2009 Brussels Biennale and won the Baloise Art Prize at Art Basel in 2012. Denny is receiving ever more attention since being selected as the representative artist of the New Zealand Pavilion at the 56th Venice Biennale.
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