Nam June Paik
at Tate Modern
Who brightened up the past with today's technology and predicted the future


The title of 'pioneer of video art' does not even come close to explaining Nam June Paik. Since the early 1960s he has used TV as a canvas to showcase innovative and avant-garde pieces. The art works looked new on the outside, and inside, it offered a deep reflection on technology and art.
The reason he takes such a dominant position in art history may be found here. Formally, it seems as though his artworks sever ties with the past, but if you look deeper inside you rediscover the past, reflect on the present, and find grounds to go as far as predicting the future.
"Nam June Paik at Tate Modern"

As a first step of the partnership with Tate, Hyundai Motor supported the acquisition of nine key works by the South Korean artist Nam June Paik (1932-2006). Through the generosity of the artist’s family and with the support of Tate’s Asia Pacific Acquisitions Committee, Tate Americas Foundation and Hyundai, Nam June Paik’s works became a part of Tate’s collection. In November 2014, Tate Modern opened a two-room display of works by Nam June Paik, which consisted of seven key works and four rarely-seen works on paper. These works span more than 40 years, and therefore you could see his artistic achievements. Viewers from across the world were offered a chance to look back on the past through his works as well as take a peek into the future.

Tate Modern’s “Media Networks” display aimed for a way to show responses of artists to the public influence from technologies and mass media that have changed and evolved for the last 100 years. From a painting with the essence of the analogue media, to a poster produced by printing technologies along with contemporary digital technologies, the exhibition encompasses a wide scope of media and technologies. Through 12 sections, the exhibition raises issues such as gender politics, criticism of the system, or standards of selecting communication systems. Among them, 7 sections have an artist’s name as their title; Nam June Paik is one of them. The section of Nam June Paik once again introduces some of the works now part of Tate’s collection.
Nam June Paik, Embracing Televisions with Art

As there is a saying that a good beginning makes a good ending, the start determines many things that follow. If something is familiar to us, it is because someone pioneered for it: One example would be artworks using televisions that can be frequently seen in art museums today. In the early 1960s, when no one thought that a television could be included in the scope of art, Nam June Paik brought the television as a medium for art. At that time, when art and technologies were perceived as being at opposite points and as not being able to coexist with each other, the attempts of the artist caused a new stir in the art scene. Tate Modern showing the works that represent the bold attempts of the artist Nam June Paik proves that his views are still viable today. ■ with ARTINPOST
Find out more through <Art & Technology #16: Legacies of Nam June Paik>
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<Nixon> 1965-2002
Video, 2 monitors, black and white and colour, sound and magnetic
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography -
<Nixon> 1965-2002
Video, 2 monitors, black and white and colour, sound and magnetic
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography -
<Bakelite Robot> 2002
Video, 5 monitors and radios
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography -
<Bakelite Robot> 2002
Video, 5 monitors and radios
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography -
<Three Eggs> 1975-1982
Video, 2 colour television receivers, video camera, tripod and eggs
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography -
<Victrola> 2005
Video, monitor, black and white and sound (stereo), wood, acrylic paint, lacquer, copper and vinyl
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography -
<Three Eggs> 1975-1982 , <Nixon> 1965-2002
<Three Eggs> - Video, 2 colour television receivers, video camera, tripod and eggs
<Nixon> - Video, 2 monitors, black and white and colour, sound and magnetic
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography -
<Three Eggs> 1975-1982, <Bakelite Robot> 2002
<Three Eggs> - Video, 2 colour television receivers, video camera, tripod and eggs
<Bakelite Robot> - Video, 5 monitors and radios
© Estate of Nam June Paik, 1932-2006 Photo credit: Andrew Dunkley, Tate Photography