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MMCA Hyundai Motor Series 2016: KIMSOOJA – Archive of Mind

Now experience the exhibition
by watching the HYUNDAI meets film

Archive of Mind, 2016, participatory site specific installation consisting of clay spheres, 19 m elliptical wooden table, with sound performance Unfolding Sphere, 2016, 15’31”.

The Third Exhibition of the Hyundai Motor Series

Kimsooja

Photo by GAHYUNBAIK@edgerank

The third artist for the ‘Hyundai Motor Series’ at the National Museum of Modern and Contemporary Art, Korea(MMCA) was Kimsooja. Born in Daegu, Korea in 1957, the conceptual multimedia artist has participated in exhibitions at distinguished art museums including LACMA(Los Angeles County Museum of Art), the Solomon R. Guggenheim Museum, and the Hirshhorn Museum. She was also invited to international events such as the ‘Yokohama Triennale’ and the ‘Whitney Biennial’, and presented at the Korean Pavilion at the ‘55th Venice Biennale’.
Kim introduces traditional sewing materials such as needle, thread, cloth, and Bottari(fabric) with the action of sewing. Based on the materials and actions, she gives substance to metaphysical concepts across genres such as performance, video presentation, and installation art.

Kimsooja's works with the Bottari(bedsheet-like cloth used for packing personal belongings) has earned her the epithet 'Bottari artist'. The Bottari, which can gather items but also be the means to carry them over distances, is used by the artist as a philosophical metaphor for her works. Her works embody the pain and sorrow of displaced people who had to wander about with all their livelihood on their backs; her works kindled a contemporary understanding that transcended both history and borders.
Through <Hyundai Motor Series 2016: Kimsooja - Archive of Mind>, the artist took a new approach to the past three decades of inquisitive meditations and experiments on life and art. This exhibition featured a large-scale installation work that requires audience participation, also involving multiple media such as video, installation, and sculpture. The artist herself claimed the exhibition as “a project that will be a meaningful juncture for developing work.”

Bottari, and the post-Bottari

The participatory installation <Archive of Mind> opened to the public for the first time at the MMCA. Examining the implied regularity within the “act of creating”, the artist began her work after being inspired by the act of wrapping in her previous bottari series. Visitors were encouraged to roll a handful of clay into a spherical ball to be placed on a wooden table. Participants experienced multiple levels of interaction, from experiencing the inherent properties of soil to simultaneously altering its form into something particular. The collection of spherical clay balls placed along with the sound installation <Unfolding Sphere> formed a rhythmical and contrasted juxtaposition.

“When looking at people surrounding the table, it feels like them being one united community.”
<MMCA Hyundai Motor Series 2016: Kimsooja - Archive of Mind> has ended its 6 months journey, from July 2016 to February 2017. One of the main works of this exhibition, <Archive of Mind>, which has been completed through visitors’ participation, has emptied and filled their hearts through the act of making clay balls. Kimsooja mentions that the process of rolling and pressing clay balls to make it as round as possible, can be perceived as a symbolic presentation of the balance and imbalance existing in our real world. Moreover, she adds that each individual could experience becoming one united community by accumulating numerous minds. ‘Hyundai Meets’ is a film series introducing Hyundai Motor’s various art initiatives and its insights - here is the eighth episode with Kimsooja

<HYUNDAI Meets MMCA Hyundai Motor Series 2016: KIMSOOJA - Archive of Mind>

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Also presented were works of her continuing work series <To Breathe> and <Thread Routes - Chapter Ⅴ>, addressing issues of displacement, expulsion, violence and other social issues through her unique artistic grammar.

<To Breathe>

Kimsooja's earlier works were paintings and drawings. As she expanded the spectrum of her works to performance and video presentations, those issues consistently returned to be told. <To Breathe> disconnects the in from the out, while drawing the participants' gaze to the spectrum film applied to the connecting glass which changes from material(brushstroke) to immaterial(light). The projection of light sheds new perspective on the surrounding objects, connecting to the work <Deductive Object> installed in the courtyard, and can appear to be an endlessly changing work. These works are notable in terms of them being the fruit of the artist's earlier contemplations. It is part of Kimsooja's site specific installation work, first presented at the 2006 Madrid's Crystal Palace. Later it was shown at the Korean Pavilion at the ‘2013 Venice Biennale’, and then at Centre Pompidou-Metz, but this was the very first time in Korea.

Deductive Object, 2016, painted steel, 2.45 x 1.5 m (dia.), mirror panels, 10 x 10 m

<Deductive Object>

Alongside the film-installation <To Breathe>, <Deductive Object> is the first open-air sculpture to be installed in the outdoor exhibition space of the museum. It appears to be a large oval-shaped sculpture floating above a reflective pedestal. The mirror panel in the lower section is itself a sculpture and simultaneously a pedestal for sculpture. It was inspired by the “Cosmic Egg”, known in Indian traditional culture as the “Brahmanda Stone.” The scattered sunlight from <To Breathe> touches upon the obangsaek(cardinal colors) surface to create geometric shapes. Bottari structure and concept is also redefined in this piece. The rectangular mirror floor represents empty space, the fact clearly revealed by the corresponding obangsaek bands composing the abstract Bottari sculptures. The implied thoughts of the artist are contained in the geometric structures in distinct fashion.

Thread Routes V, 2016, stills from 16mm film transferred to HD format, 21:48, with sound

<Thread Routes - Chapter Ⅴ>

'Thread Routes' is a video series started in 2010. The artist found new possibilities to be introduced to her work when she visited Belgium in 2002, where she was inspired by a woman weaving lace in the streets, and the urban architecture among other things. The 6-part series filmed on 16mm features footage from 6 different cultural groups includes Europe, India, and China. This work is called “visual poetry” or “visual anthropology”, and provides insight into the nature, architecture, agriculture, and gender relationships across different cultures. All videos contain footage of the architectural characteristics of each region, and the performance-aspects of the general textile culture in each region, comparing and contrasting the regions. The latest part of the series, <Thread Routes Chapter V> was filmed in the territory of the Navajo and Hopi Indians in Arizona and New Mexico in the U.S.A. The Native Indians' braiding and weaving baskets run parallel to the streets and highways that symbolize metropolitan areas, all the while revealing the present trajectory of the thread. ■ with ARTINPOST

  • <Archive of Mind> 2016

    Photo: Jeon Byung-cheol, Courtesy: National Museum of Modern and Contemporary Art, Korea

    <Archive of Mind> 2016
  • <Archive of Mind> 2016

    Photo: Jeon Byung-cheol, Courtesy: National Museum of Modern and Contemporary Art, Korea

    <Archive of Mind> 2016
  • <Deductive Object> 2016

    Photo: Jeon Byung-cheol, Courtesy: National Museum of Modern and Contemporary Art, Korea

    <Deductive Object> 2016
  • <To Breathe> 2016

    Photo: Jeon Byung-cheol, Courtesy: National Museum of Modern and Contemporary Art, Korea

    <To Breathe> 2016
  • Archive of Mind, 2016

    participatory site specific installation consisting of clay spheres, 19 m elliptical wooden table, with sound performance Unfolding Sphere, 2016, 15’31”.

    Archive of Mind, 2016, participatory site specific installation consisting of clay spheres, 19 m elliptical wooden table, with sound performance Unfolding Sphere, 2016, 15’31”.
  • Archive of Mind, 2016

    participatory site specific installation consisting of clay spheres, 19 m elliptical wooden table, with sound performance Unfolding Sphere, 2016, 15’31”.

    Archive of Mind, 2016, participatory site specific installation consisting of clay spheres, 19 m elliptical wooden table, with sound performance Unfolding Sphere, 2016, 15’31”.
  • Thread Routes V, 2016

    stills from 16mm film transferred to HD format, 21:48, with sound

    Thread Routes V, 2016, stills from 16mm film transferred to HD format, 21:48, with sound
  • Thread Routes V, 2016

    stills from 16mm film transferred to HD format, 21:48, with sound

    Thread Routes V, 2016, stills from 16mm film transferred to HD format, 21:48, with sound
  • Thread Routes V, 2016

    stills from 16mm film transferred to HD format, 21:48, with sound

    Thread Routes V, 2016, stills from 16mm film transferred to HD format, 21:48, with sound
  • Thread Routes V, 2016

    stills from 16mm film transferred to HD format, 21:48, with sound

    Thread Routes V, 2016, stills from 16mm film transferred to HD format, 21:48, with sound
  • Deductive Object, 2016

    plaster casting of artist’s arms and antique wooden table, 152 x 74.5 x 76 cm

    Deductive Object, 2016, plaster casting of artist’s arms and antique wooden table, 152 x 74.5 x 76 cm
  • Geometry of Body, 2006 – 2015

    artist’s yoga mat, 185 x 63.5 cm

    Geometry of Body, 2006 – 2015, artist’s yoga mat, 185 x 63.5 cm
  • One Breath, 2004 / 2016

    digital embroidery on satin, abstract from The Weaving Factory sound performance by the artist, 2004, 180 x 61 cm

    One Breath, 2004 / 2016, digital embroidery on satin, abstract from The Weaving Factory sound performance by the artist, 2004, 180 x 61 cm
  • A Study on Body, 1981

    a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm

    A Study on Body, 1981, a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm
  • A Study on Body, 1981

    a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm

    A Study on Body, 1981, a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm
  • A Study on Body, 1981

    a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm

    A Study on Body, 1981, a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm
  • A Study on Body, 1981

    a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm

    A Study on Body, 1981, a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm
  • A Study on Body, 1981

    a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm

    A Study on Body, 1981, a series of five silkscreen prints on paper based on the artist performance photos, 54.5 x 55.5 cm

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