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Brilliant Ideas Episode #27: Choe U Ram

Sculpting stories through art and science

<Scarecrow> 2012 Electric wire, metallic material, motor, hydraulic cylinder, custom CPU board, metal halide lamp 370×500×240cm

Breathing life into metal

<Ouroboros> 2012 Metallic material, resin, 24K gold leaf, motor, machinery, custom CPU board 12×130(Ø)cm

Choe U Ram’s artwork invites viewers into a world of imagination. His machines seem to hide many stories, embodied in bizarre forms that resemble the extraterrestrial, or created as models of paleozoic organisms that look like fossils come alive. At first glance, his works may seem cold and distant, since most of them are made from metal.

Once they start moving, however, Choe’s works turn out to be surprisingly mystical and warm. His mechanical organisms, and the course of their birth, give us a chance to reflect upon the relationship between man and machine. Brilliant Ideas Episode #27, brought to you by Bloomberg and Hyundai Motor, tells the story of artist Choe U Ram, who breathes life into machines.

Unleashing the imagination through a love for science

<Merry-Go-Round> 2012 Hand made merry-go-round, sound system, metallic material, motor, gear, custom CPU board, LED 190×110×110cm

Choe’s nicknames, “explorer of mechanical organisms” and “scientist-like artist” among others, are accurate observations of his constant dedication to science, and scientific way of thinking. Science was always close by since Choe’s early years, and his childhood dream was to become a “robotics scientist”, thanks to the influence of his grandfather, who designed Korea’s first ever automobile. Choe also happened to be talented in the arts, and had to make the difficult choice of becoming an artist or a scientist. His choice was art, but luckily Choe happened to across kinetic art during his sculpture studies in art college. Since then, he started incorporating his artistic knowledge with science, and found an outlet for his love of science.

<Custos Cavum> 2011 Metallic material, resin, motor, gear, custom CPU board, LED 220×360×260cm

Choe's “breathing” machines embody the beauty of science and art combined. His sculptures, moving at a leisurely pace in forms such as flowers or insects, emanate a biomorphic, lifelike warmth despite being made from rigid machine parts. One of Choe’s key focuses is to bring his machines to life; especially those born from his imagination. He claims to be inspired by stories in movies or cartoons where robots brought to life become friends with humans. Such inspiration brings Choe to project his extraordinary imagination into his biomorphic machines, and create new stories. Each and every one of his artworks have its own birth myth. For instance, <Custos Cavum>(2011) is a guardian born from his imagination. Choe explains that this guardian used to help keep the path open between two different worlds that were connected through small holes. Bones may be all that are left of the guardian, but it still moves its colossal body, and continues to breathe. An unlikely story, but Choe even gives the guardian a scientific name as if to prove that such an entity truly exists. Not only does he give attention to figurative beauty and breathing movement into his artwork, but he also adds a fair amount of commentary to support his stories. This gives viewers the illusion that the stories may be real. His aptitude for scientific nomenclature is also evident in his other artworks, such as “Ultima Mudfox” and “Una Lumino”, which tickle the viewer’s imagination by giving the impression that his machines are an existing species.

From perseverance to the birth of new life

<URC-1 >(detail) 2014 Motor Headlights, Steel, COB LED, Aluminium radiator,DMX Controller, PC 3,120×3,320×2,960mm

It is clearly evident that Choe’s mechanical organisms were not easy projects, since they are extremely intricate even at a quick glance. Moreover, all of his artworks involve motion in one way or another, as Choe is decidedly uninterested in sculptures that do not move. However much he may enjoy dealing with machines, the actualization of his conceptions is a taxing task. Countless programs and hardware must be tested, and unforeseen problems, small and large, must be tackled for Choe to deliver the movements of an organic life form instead of the stiff motions of a machine. In the past, Choe worked at a robot-making company to learn more about machines. Currently he collaborates with experts from diverse fields including archaeology, biology and robot engineering.
Choe’s first steps when creating a piece is to decide on a theme and develop a befitting story. Once he completes a sketch based on that story, his collaborators undertake the meticulous designing process using computers. An artwork normally takes one and a half years to complete, as the machine’s movements undergo simulation, each of the machine parts are confirmed in drawing, and then manufactured and assembled. The process of creating Choe’s work requires great perseverance and effort, and is quite similar to that of a scientist making a robot.

Installation view of <Urbanus Female> at MORI Art Museum, Tokyo 2006 Metallic material, machinery, metal halide lamp, electronic device(CPU board, motor) close 103×103×241cm, open 389×389×233cm

Not one of his mechanical organisms were created simply, from <Una Lumino>(2008), in which flower buds continuously bloom and close, <Cakra 2552-A>(2008), which features ever-changing curlicues, inspired by the Buddhist mandala, and <Urbanus Female>(2006), which reaches up to 3.5 meters. Among the many artists who work with media, Choe is well-known as one who displays a high degree of perfection, thanks to the exquisite movements of his machines. His appetite for technology, however, is endless. Choe’s thirst for art enables the incessant evolution of his work, and imbues more profound life into his machines. With an imagination that digs deep into machines-a product of human civilization-and the technology to bring that imagination to life, Choe makes us await his next new species. ■ with ARTINPOST

  • <IMAGO> 2014

    Metallic material, machinery, electronic device (CPU board, motor, LED) 270×289×175cm

    <IMAGO> 2014 Metallic material, machinery, electronic device (CPU board, motor, LED) 270×289×175cm
  • <Custos Cavum> 2011

    Metallic material, resin, motor, gear, custom CPU board, LED 220×360×260cm

    <Custos Cavum> 2011 Metallic material, resin, motor, gear, custom CPU board, LED 220×360×260cm
  • <Merry-Go-Round> 2012

    Hand made merry-go-round, sound system, metallic material, motor, gear, custom CPU board, LED 190×110×110cm

    <Merry-Go-Round> 2012 Hand made merry-go-round, sound system, metallic material, motor, gear, custom CPU board, LED 190×110×110cm
  • Installation view of <OpertusLunula Umbra (Hidden Shadow of Moon)> at Art stations Foundation, Poznan 2008

    Aluminum, stainless steel, plastic, electronic device (BLDC motor motion computing system) closed 420×130×420cm open 500×360×490cm Scientific name: Anmopial Pennatuslunula Uram

    Installation view of <OpertusLunula Umbra (Hidden Shadow of Moon)> at Art stations Foundation, Poznan 2008 Aluminum, stainless steel, plastic, electronic device (BLDC motor motion computing system) closed 420×130×420cm  open 500×360×490cm Scientific name: Anmopial Pennatuslunula Uram
  • <Ouroboros> 2012

    Metallic material, resin, 24K gold leaf, motor, machinery, custom CPU board 12×130(Ø)cm

    <Ouroboros> 2012 Metallic material, resin, 24K gold leaf, motor, machinery, custom CPU board 12×130(Ø)cm
  • <Pavilion> 2012

    Resin, wood, crystal, 24K gold leaf, plastic bag, metallic material, fan, motor, custom CPU board, LED 244×132×112cm

    <Pavilion> 2012 Resin, wood, crystal, 24K gold leaf, plastic bag, metallic material, fan, motor, custom CPU board, LED 244×132×112cm
  • <Scarecrow> 2012

    Electric wire, metallic material, motor, hydraulic cylinder, custom CPU board, metal halide lamp 370×500×240cm

    <Scarecrow> 2012 Electric wire, metallic material, motor, hydraulic cylinder, custom CPU board, metal halide lamp 370×500×240cm
  • Installation view of <Urbanus Female> at MORI Art Museum, Tokyo 2006

    Metallic material, machinery, metal halide lamp, electronic device(CPU board, motor) close 103×103×241cm, open 389×389×233cm

    Installation view of <Urbanus Female> at MORI Art Museum, Tokyo 2006 Metallic material, machinery, metal halide lamp, electronic device(CPU board, motor) close 103×103×241cm, open 389×389×233cm
  • <URC-1 > 2014

    Motor Headlights, Steel, COB LED, Aluminium radiator, DMX Controller, PC 3,120×3,320×2,960mm

    <URC-1 > 2014 Motor Headlights, Steel, COB LED, Aluminium radiator, DMX Controller, PC 3,120×3,320×2,960mm
  • <URC-1 >(detail) 2014

    Motor Headlights, Steel, COB LED, Aluminium radiator, DMX Controller, PC 3,120×3,320×2,960mm

    <URC-1 >(detail) 2014 Motor Headlights, Steel, COB LED, Aluminium radiator, DMX Controller, PC 3,120×3,320×2,960mm

Profile

Choe U Ram

Photo: Hwang Yu Sik

Born in Seoul, Korea, in 1970, Choe U Ram is an artist who is building unique art works by making delicate Anima Machines that are based on archaeology and scientific theories such as biology and robotics. As a child, he loved science but he had great talent in art as well and he has grown up to be an artist who embraces both science and sculpture. He is sometimes labeled as a “kinetic artist”; however he wants people to call him just as a “sculptor”.
Studied sculpture in Chungang University, Choe U Ram has been showing active movements. After his first exhibition in Seoul in 1998, he has been working vigorously, holding a number of solo and group exhibitions in Tokyo, Venice and New York, and attending small and big overseas events such as the Shanghai Biennale-Hyper Design and Asian Art Triennial which was held in Manchester Art Gallery, U.K.

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