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Brilliant Ideas Episode #34: Cao Fei

Alchemist of Communication

<La Town: Airport> 2014 C-print 80×120cm Courtesy of artist and Vitamin Creative Space

Talking about China in the language of media

<(SL avatar: China Tracy) Mirror> 2007 Machinima 28’Courtesy of artist and Vitamin Creative Space

Demonstrating the dynamic changes of the Chinese society, Cao Fei’s works catch the world’s attention. Her works not only represent the situations in China, but also make us think about the general aspects of the society we are currently living in. Employing the state-of-the-art technologies pouring out endlessly, added with her unique, sophisticated witticism and poetic elements to communicate in the artistic language, Fei is undoubtedly one of the Chinese contemporary artists who are receiving the most attention.

Brilliant Ideas Episode #34 features Cao Fei, who says that observing is the most important thing she can do as an artist, while capturing the changes in the Chinese society, presented by Bloomberg and Hyundai Motor.

Reality depicted by witticism and imaginations

<(SL avatar: China Tracy). RMB City: A Second Life City Planning> 2007-2011 Video, 6’Courtesy of artist and Vitamin Creative Space

Fei’s parents greatly influenced her to stand out as an artist in China, where female artists tend to be less active compared to other countries in the world. Both being sculptors, her parents bought a video camera when Fei was young, which was very rare at the time. She remembers her childhood being a little different from others, which she spent acting in front of the video camera, or directly shooting videos with it whenever she had time. Her childhood experiences have been a great help to her accepting the rapid technological changes and applying them to her works today. During her school years, Fei met works of the world’s famous artists such as Picasso or Dali and became naturally close to art. Guangzhou, which is the city she used to live in, also became the basis of her creative world. During the 1970s and 1980s, the Guangzhou city was a gateway that connected China and the rest of the world right after China opened up its market.

<Cosplayers Series: A Ming at Home> 2004 C-print 75×100cm Courtesy of artist and Vitamin Creative Space

Fei witnessed the transforming situations around her from a close distance, developing her imagination. <Imbalance 257>(1999) is the first short film she made after entering college. The video fully reveals the actual situations the youth had to face in the turbulous period, on which Fei commented, “It is the work that shows the purest version of me and my view on artworks”. This work was invited to “PhotoEspana”, a visual arts festival held in Spain, which gave her the platform for advancing into the international art scene. Since then, the artist focused on creating artworks showing the reality of the Chinese society. <COSplayers>(2004) depicts powerless, wandering youths absorbed in the cosplay subculture in the rapidly changing Chinese society. By showing the youths wearing absurd costumes and posing in front of other people with the construction site on the background, the artist reflected China’s situation, where the reality and the artificial world coexisted.

<Whose Utopia> 2006 C-print, 120×150cm Courtesy of artist and Vitamin Creative Space

<Whose Utopia?>(2006) is about the impact brought by the China’s opening, consisting of a series of videos in which factory workers expressed with their whole body the dreams they wanted to be realized. As told by its title, the artwork questions whose utopia this is, asking us whether the China’s opening brought people only happiness. Humanizing the huge Chinese society in an interesting and experimental manner, Fei’s works are based on the artist’s affection on her home country.

Messenger informing about China

<Haze and Fog> 2013 C-print 70×105cm Courtesy of artist and Vitamin Creative Space

Cao Fei became the artist who informs us about the dynamic moments in China since she moved from Guangzhou to Beijing in 2007. To the artist, who has been greatly interested in political and social issues, the capital of China provided more materials for her artworks, which also diversified her creative methods. <RMB City: A Second Life City Planning>(2007) well reflects her interest at that time. Created by her previous video work style integrated with virtual reality, this work demonstrates the images of China people desire with iconic images. With an avatar named “China Tracey”, the artwork travels between the fantasy and the reality and asks questions about China and utopia, which was well received by critics for Fei’s innovative medium choice and her curiosity about materials vividly shown in the work. She was on a short hiatus for three years from 2010, and returned to the art scene with <Haze and Fog> in 2013. While her previous works were about China’s potential, this work captured modern Beijing citizens in their treadmill of routine life in a pessimistic way.

<Un-Cosplayer Series: Bunny’s World> 2004 C-print 90×120cm Courtesy of artist and Vitamin Creative Space

Looking dark and strange and almost creepy, the work contains the artist’s experiences during her hiatus, which makes it seem more mature and conceptual. <Rumba II: Nomad>(2015) is a video of multiple robot cleaners removing the debris left after the studio she has long used was demolished. Using her unique sense of humor, Fei criticizes the fast changes happening in China. The subject she recently focuses on is demolition, which is implemented all over the country for city planning. Recording the busy looks of the city, the people living in it, and the process of buildings being broken down and built again in a great detail, she aims to inform and communicate with as many people as possible about the situations in China. Saying she believes that art can’t change the world, but it can provide people a new perspective, Fei continues her ceaseless efforts to inform the world about China. ■ with ARTINPOST

  • <Cosplayers Series: A Ming at Home> 2004

    C-print 75×100cm Courtesy of artist and Vitamin Creative Space

    <Cosplayers Series: A Ming at Home> 2004 C-print 75×100cm Courtesy of artist and Vitamin Creative Space
  • <Haze and Fog> 2013

    C-print 70×105cm Courtesy of artist and Vitamin Creative Space

    <Haze and Fog> 2013 C-print 70×105cm Courtesy of artist and Vitamin Creative Space
  • <Haze and Fog> 2013

    C-print 70×105cm Courtesy of artist and Vitamin Creative Space

    <Haze and Fog> 2013 C-print 70×105cm Courtesy of artist and Vitamin Creative Space
  • <(SL avatar: China Tracy) Mirror> 2007

    Machinima 28’ Courtesy of artist and Vitamin Creative Space

    <(SL avatar: China Tracy) Mirror> 2007 Machinima 28’ Courtesy of artist and Vitamin Creative Space
  • <La Town: Airport> 2014

    C-print 80×120cm Courtesy of artist and Vitamin Creative Space

    <La Town: Airport> 2014 C-print 80×120cm Courtesy of artist and Vitamin Creative Space
  • <La Town: River Bank> 2014

    C-print 80×120cm Courtesy of artist and Vitamin Creative Space

    <La Town: River Bank> 2014 C-print 80×120cm Courtesy of artist and Vitamin Creative Space
  • <(SL avatar: China Tracy). RMB City: A Second Life City Planning> 2007-2011

    Video, 6’ Courtesy of artist and Vitamin Creative Space

    <(SL avatar: China Tracy). RMB City: A Second Life City Planning> 2007-2011 Video, 6’ Courtesy of artist and Vitamin Creative Space
  • <Un-Cosplayer Series: Bunny’s World> 2004

    C-print 90×120cm Courtesy of artist and Vitamin Creative Space

    <Un-Cosplayer Series: Bunny’s World> 2004 C-print 90×120cm Courtesy of artist and Vitamin Creative Space
  • <Whose Utopia?> 2006

    C-print 120×150cm Courtesy of artist and Vitamin Creative Space

    <Whose Utopia?> 2006 C-print 120×150cm Courtesy of artist and Vitamin Creative Space

Profile

Cao Fei

Multimedia artist Cao Fei is one of the noticeable Chinese artists who are active in the art world. This young artist makes innovative works and is highly acclaimed in the Chinese contemporary art scene. She uses various medium such as video, performance and digital medium, but what embraces them all is the daily life of Chinese citizens. Especially, the artist focuses on the young Chinese generation born after the Culture revolution; the lost dreams, overcoming strategy, escapes from reality. She also considers the rapid and confusing change in China.
Born in 1978, Guangzhou, Cao Fei lives and works in Beijing. She participated in the ‘Venice Biennale’ in 2003, 2007 and 2014, ‘Yokohama Triennales 2008’, ‘15th & 17th Biennale of Sydney’ and many other international biennales and displayed work at world famous museums and galleries; Tate Modern, London, Solomon R. Guggenheim Museum, New York, Museum of Modern Art, New York(MoMA), and the MoMA PS1.

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